Peter de Francia
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Texts

  • SELECTED TEXTS BY DE FRANCIA

    • Commitment in Art Criticism, Peter de Francia, 1957
      Publications

      Commitment in Art Criticism

      Peter de Francia, 1957

      ‘Art does not exist for the sake of either interpretation or art history, let alone criticism...’

    • Mandarins and Luddites, Peter de Francia, 1973
      Publications

      Mandarins and Luddites

      Peter de Francia, 1973

      ‘It is possible that the elaboration of a visual language tough enough to be used as the basis of a style may be the essential problem confronting artists of the next decades...’

    • Fernand Léger, Peter de Francia, 1983
      Publications

      Fernand Léger

      Peter de Francia, 1983

      ‘Great art can be produced in a society where the concepts of present and future are psychologically fused to maximum intensity...’

       

    • Effigies and Images, Peter de Francia, 1989
      Publications

      Effigies and Images

      Peter de Francia, 1989

      ‘Up until [Philip Guston's] death in 1980, “the real” was to take on a specific ambivalence: that of violent contrasts, a subversion of rationality through a language of seemingly dead-pan rationalism, located in a no-man’s-land in which compassion confronts satire and tragedy is often indistinguishable from grotesque humour….’

       

    • Fables and Other Drawings, 1990–2001, Peter de Francia, 2002
      Publications

      Fables and Other Drawings, 1990–2001

      Peter de Francia, 2002

      ‘Mark making can never be neutral. Should it become so it is already dead...’

       

  • SELECTED TEXTS ON DE FRANCIA

    • Peter de Francia, John Berger, 1958
      Publications

      Peter de Francia

      John Berger, 1958

      ‘It is not his emotions which are supreme for him, but the new world he sees emerging, and which, by painting, he helps to bring about...’

    • Peter de Francia, Renato Guttuso, 1962
      Publications

      Peter de Francia

      Renato Guttuso, 1962

      ‘In European painting today Peter de Francia occupies a very special position which can be linked with the lone stand of other artists in different parts of the world whose work runs counter to the mainstream…’

    • De Francia in India, At Last, Geeta Kapur, 1990
      Publications

      De Francia in India, At Last

      Geeta Kapur, 1990

      ‘A figure deeply anomalous and equally contemporary in that his imagination belongs to humankind in its millenial dimension...’

       

    • Peter de Francia: Drawings, Dore Ashton, 2008
      Publications

      Peter de Francia: Drawings

      Dore Ashton, 2008

      ‘Peter de Francia observes the world and draws his conclusions. Literally...’

    • Socialist-Expressionist: Peter de Francia (1921-2012), Merlin James, Artcritical, 2012

      Socialist-Expressionist: Peter de Francia (1921-2012)

      Merlin James, Artcritical, 2012

      ‘Peter had the demeanour of a dishevelled, rather droll, down-to-earth ouvrier, in a blue cotton ‘French worker’s’ jacket…’

       

    • The Sensual and the Political, J. X. Zhang, New Left Review, 2022

      The Sensual and the Political

      J. X. Zhang, New Left Review, 2022

      ‘One striking feature of the paintings of Peter de Francia (1921–2012) is that they often evoke an urge to converse….’

  • Bibliography of published works by de Francia

    1954            Le Corbusier, The Modulor, translation from the French, Peter de Francia and Anna Bostock, Faber, London; reprinted 2000, 2004, Birkhauser, Boston and Basel

    1956            Impressionism (Movements in Modern Art), Methuen, London, reprinted 1957, 1959,1960, 1961; 1957, Crown, New York

    1969            Léger: The Great Parade, Cassell, London

    1983            Fernand Léger, Yale University Press, London

    1989           Uden Titel, Brondum, Copenhagen / Untitled, Frith Street Gallery, London

    2002           Fables, Maruts Press, London

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